he beloved actor Sam Neill, who Died This Week aged 78, will return to the screen a few more times, posthumously gracing us with his presence in three films that say a lot about the kind of actor he was, and the sort of reputation he carved out.
They could hardly be more different: a wacked-out Australian comedy in which he provides the voice of a sweary magpie (The Fox); a romcom set in the Philippines (The Last Resort); and the next instalment in a blockbuster Hollywood franchise about giant mutant stampeding monsters (Godzilla x Kong: Supernova).
Their differences speak volumes about Neill’s range and inability to be pigeonholed. Most actors carve out a niche by embracing some kind of shtick or signature style: perhaps they’re badass action heroes, romantic heart-throbs, reliable dramatic leads or larger-than-life villains.
Neill was all and none of these things, spectacularly breaking free of labels and boxes, and leaving a powerful impression that he was open to all sorts of challenges.
In another reality, Neill might have been remembered as a terrific character actor, bringing depth and gravitas to a huge range of supporting performances. Where to begin?
There’s his irresistibly crotchety old grump Hector, the foster uncle of a cheeky delinquent, Ricky Baker (Julian Dennison), in Hunt for the Wilderpeople. There’s the suave and mannered Harry Beecham, trying to take the protagonist’s hand in marriage in. There’s his “mess with the bull, get the horns” tough cop Chester Camper in Peaky Blinders, who got right up in the craw of Cillian Murphy’s gangster, Tommy Shelby. There’s his warm, avuncular portrayal of the observatory director Cliff Buxton in The Dish … to name only a few.
To say the man had range and versatility is an epic understatement: he had the charisma to carry blockbusters and the chutzpah to go completely off the rails in wild and weird productions. He leaves behind a terrifically eclectic oeuvre. And we’ll miss him.
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